How Politics can ruin a beautiful story….
Politics can ruin love, politics
can ruin career, politics can ruin life and Politics can ruin a beautiful
story. This is Raanjhanaa!!! Just kidding! It’s not politics actually; it’s the
people who start playing politics in their life ruin everything. Zoya played by
a Sonam Kapoor is a Muslim girl of Banaras who is forced to fall in love with Kundan
played by Dhanush in her childhood because of his consistency and typical small
town – lower middle class approach to propose a girl by attempting suicide. He being
a Hindu is not acceptable to her family. She retaliates; as a result parents
send her to Aligarh for further studies to avoid Kundan’s proximity. But Kundan
is madly in love with her and waiting her to come back. She comes back after 8
years and has forgotten Kundan (what bullshit!!). Kundan confronts her and she
reveals that she loves somebody else from College. She uses Kundan to get her
love. He being fully devoted to her, does whatever she says. But somewhere he
has a feeling of revenge and he gets his chance. But his action leads to a
dramatic turn in the story. This is first half which is a full package of
entertainment. The tempo of the story is very gud up to here.
The way the first half is edgy
and spellbinding, second half is equally stretched and boring. The theme of the
story gets lost somewhere. The focus of the story from the love shifts to ego
fights. I agree that it is a natural progression in any love scenario. But the
way it is portrayed, it does not suit story. The second half becomes a
repeatedly tried story of a guy winning hearts of everyone by doing some stupid
errands. And mind it, whatever is shown in movie for that cause looks petty and
half baked. Towards climax, Zoya takes center stage with her feminist attitude
and she even says – “Kundan, I thought you would atleast help me here but u
started becoming hero yourself.” What crap!!! How much does she want to use
him!!! That poor guy does everything to please her but she instead takes
revenge and surrenders.
Well I am not at all convinced by
the story. I liked the sequences up to first half. But second half looks like a
‘build on set’ story. There is no depth in second half. Though the director has
tried to make the character of Sonam very complex and that of Dhanush street
smart & heroic and both did total justice to their characters but somehow director
failed to give the characters a complete sketch and weave up a nice story
around them. Acting wise, this can easily be said as the best performance of Sonam
till date and Dhanush is simply outstanding; he is doing wonders when he does
not know Hindi, if he learns the language, God know what he will do. Dialogues
are the USP of the movies. The best dialogues are given to Murari (Mohammad
Zeeshan Ayub) and Swara Bhaskar has given another good performance as Bindiya.
Music of the movie is average.
Tum Tak and Raanjhanaa are good songs and both are filmed amazingly on the streets
& Ghats of Banaras. The production design department really scores. All the
real locations from Delhi to Banaras are used to give the movie a real look. I like
one particular scene very much in the movie when some college students try to
figure out why Kundan has become thief; they take all night and finally figure
out the reason as poverty. I am not sure what director wants to say here! Is it
the portrayal of a group of disillusioned youth doing dharnas everywhere blindly
following some leader???
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